Category Archives: Experimental

The Ghost and the Guest: An Unexpected and Unlikely Album

Jake Workman The Ghost and the Guest is an interesting album that was recorded in a simple bedroom studio and was released last year by LDS artist Jake Workman. Loyal Linescratchers followers may recognize Jake from his days with the group “The Sweater Friends”. Prior to listening to this album, I had never heard any of his music, and knew little about him. So, it was with a completely fresh and unbiased perspective that I was able to sit down and listen to his music.

I reviewed the album in a digital download form and found that the download contained much more than just music. Graphics from the album are included, as is a scanned copy of a handwritten thank you note from Jake. Most interesting though was a large booklet, which was conveniently provided in a number of different e-reader formats. Right about here is where things started to get weird, interesting, or sentimental – depending on how you look at it. The included e-book comes in at over 40 pages. In the preface, we learn that the songs were inspired by the life of Henry Pickett Pratt, who was born in 1866, and left a journal about some of his early life – a journal which was read by Jake Workman. Something about this man and his experiences struck a chord (pun intended) with Jake, and provided the inspiration for the songs on the album. The e-book includes portions of the journal that provide a backdrop of sorts for the songs. Jake has intended for the journal and the music to be enjoyed simultaneously in order to get the full experience of what he intended to create and capture.

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Interview – Brandon Kitterman of Fictionist

Linescratchers contributor Joseph Mecham recently interviewed Brandon Kitterman (guitar aficionado of Utah’s indie rock band Fictionist) for GuitarJunkie.net. Linescratchers gets to join in on the fun.

Brace yourself, dear reader, for a lesson in being awesome. Brandon Kitterman is what I would call a sonic knitting artist. You know those really ugly knitted blankets you always try to warm up with at your Grandparents house, and they’re so riddled with holes they have a 10% heat retention rating? Then you end up freezing to death on their couch while developing terminal asthma because they have 40 years of dust collected in the couch cushions? Well yeah… that sucks, and I share your pain. However, if Brandon were to knit for you a blanket with his sonic textures and tones, it would be made of silk, be your favorite color, smell like vanilla, have a 99% heat retention rating, and it would wrap you like an Egyptian mummy. Yep… he’s that good. Read on for everything you wanted to know about Brandon Kitterman’s guitar set-up and technique.
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Album Review – ELiZA WREN Returns to Oz

When I review an album, I listen with pen and paper. I take notes song-by-song, recording the vibe and mood of each song, how each flows, and how they work together to make a complete album.  While listening to ELiZA WREN’s Returns to Oz, I wasn’t able to do that, and I could not be more delighted.

This double album of 110 minutes of music is set to the movie Return to Oz, one of my childhood favorites.  If you are not familiar with Return to Oz, watch it right this minute. Otherwise, here’s a three sentence synopsis:  It’s a very dark, somewhat creepy non-musical 80′s sequel to the 1939 musical The Wizard of Oz in which an inexplicably younger Dorothy, played by Fairuza Balk (who I had a crush on as a kid and again later after watching The Craft), gets sent to an asylum by her loving aunt and uncle to get electroshock therapy to rid her mind of the Oz mumbojumbo that she won’t shut up about. Whilst escaping the asylum, she falls asleep and wakes up in Oz, only to find it has been ruined by the creepy wheelers (imagine less cool flying monkeys on rollerblades), a gnome king who is sporting the ruby slippers, and a headless witch who has a varied collection of heads she can swap.  Oz can only be returned to its former glory by stopping these evil characters, and the only ones who can stop them are Dorothy and her verbose chicken, along with the help of a robot soldier, a jack-o-lantern headed dude, and a flying couch with a talking moose head.

If that amazing preview didn’t immediately compel you to watch Return to Oz, I have yet another excellent reason: EliZA WREN’s album Returns to Oz.  Much like Pink Floyd’s Dark Side of the Moon and The Wizard of Oz (the syncing of which is commonly known as Dark Side of the Rainbow), ELiZA WREN’s album can be synced with the film Return to Oz.  However, when playing Dark Side of the Moon and The Wizard of Oz, coincidences are few and you really have to be generous in accepting things that seem moderately in sync. With Returns to Oz, the songs are purposefully and amazingly crafted to accompany the movie, and they do a fantastic job of enhancing each other.  The moods of the songs fit perfectly, and the lyrics are usually, though cryptically, describing what is happening in the movie.  I can’t quite describe the audio/visual aspect of the whole experience, all I can do is recommend you try it (start by watching the trailer).

Apart from the visual, the music definitely holds on it’s own.  The album uses ongoing motifs and recurring song themes that range from old timey bluegrass and folk music to indie rock to piano-based spacey tunes that would fit very well on a Pink Floyd record.  Whether you experience the album on its own or accompanied by a delightfully creepy Disney movie, I highly recommend giving it a watch and/or listen!

Interview – Theta Naught

In a previous post I mentioned stumbling across this intriguing ensemble based in Salt Lake City.  I don’t know what rock I was hiding under in 2002 – I was living in Salt Lake City and did pay some attention to the music scene.  Oh well.  Their website has a lot of information about them as well as links to hear, see and buy some of their recordings.  So far their career has seen great fluctuations in personnel as well as collaboration with the likes of poet/sonosopher Alex Caldiero (I just saw one of his poems in an installation at USU) and My Education.  Ryan Stanfield was gracious enough to answer some questions and give an introductory physics lesson.

The following interview questions have been answered by Ryan Stanfield of Theta Naught.  The answers and opinions expressed are his alone, but are probably shared by most, if not all, of the other members of Theta Naught. Continue Reading →

Fictionist and the Rolling Stone Experience

Editor’s note:  to vote for Fictionist in the contest, please click HERE!

As you may have recently heard or witnessed, Fictionist has reached the Elite Eight of a contest that will put an unsigned band on the cover of Rolling Stone for the first time in the iconic rock magazine’s history. Whether they move on to the next round will be determined by you, the music listener.

As part of their efforts to garner more votes, Fictionist has launched their own contest, which allows voters to win prizes including  autographed memorabilia, CDs, and a trip to Bonaroo Music Festival. Additionally, they have been playing shows and telling fans to get out and vote. We were able to catch up with the guys after a recent show in Provo and ask them about their experience thus far. What follows is an account of Aaron’s door-knocking, Robbie’s hair care tips, and Brandon’s foray into the legal field. Continue Reading →

Benjamin Zabriskie

Back when I was on my mission in New Mexico, 2005, I received a CD in the mail of very interesting home recordings. Bending the mission rules just a bit, I gave it a listen and was floored by how unique the songs were.  Off the record, I put that CD into heavy rotation throughout my mission.  Now I admit, when you’re separated from most art forms for two years, your standards for enjoying music drop dramatically (one time I heard “The Reason” by Hoobastank at a supermarket and actually thought it was okay), but I was relieved that these tunes still hold up after six years.  This year I got another link of this musician’s music. His name is Benjamin Zabriskie, and his latest album, b. Report an Emergency, got a fair number of votes in the 2010 Linescratchers Awards. Benjamin is now at BYU, and has agreed to speak with us about his latest album, his recording process, and his take on faith and music in Utah. Continue Reading →

Colby Miller

Colby Miller is an enigmatic new face here at Linescratchers. He composes and records quiet, yet textured acoustic music around his home in San Bernadino, California, yet, despite the seemingly humble context of his origins, his music is startlingly ambitious, and will most definitely tickle the ears of music lovers who think they’ve heard it all. He has released one EP called When I Should Be Sleeping earlier this year, but readers will most likely be especially intrigued by his most recent project. He has released a pair of albums in the last day or two: an EP called Epimetheus, and a full-length album called Prometheus, based on the ancient Greek mythology surrounding the two sons of Iapetus. Like I said, it’s ambitious stuff. Colby has agreed to do an interview with us about his two albums, about the role of mythology and storytelling in our lives and faith, and his unique approach to songwriting. Continue Reading →

Idiot Glee

Underground college radio fans all over the United States and Europe have been buzzing about the trippy, sparse “post-doo-wop” of Idiot Glee. Here in Lexington, Kentucky, the creative force behind Idiot Glee, James Friley, can often be seen poking his head into local shows and playing Al’s Bar, but he will soon be embarking on a tour of England and New York City in support of Idiot Glee. James grew up in the Church along with his brother, Ian Friley, who has graced our pages and podcast before as Good Morning Passenger, and found a measure of success with his previous band, bedtime. James admits he doesn’t obsess about God as much as he obsesses about music, and hasn’t been to Church in while (we’re working on that), but James still has to defend the Church in interviews and explain to people why he doesn’t drink. In this interview, James talks about his upcoming tour, his varied influences, and his relationship with the Church. Highly recommended. Continue Reading →

Alan Sparhawk

Steve Garrington, Alan Sparhawk, and Mimi ParkerOver the last two decades, the centerpiece and poster children of faithful Latter-day Saints in the world of Rock music have arguably been Alan Sparhawk and Mimi Parker of Minnesota Indie band Low. It’s hard to overestimate their influence on our culture and musicians. Living proof that the Church and a career in music aren’t mutually exclusive, Alan and Mimi have had their share of critical and fan acclaim, inspiring many Latter-day Saints, non-members, and even our very own Linescratchers itself.

Alan has more recently explored new sonic territory with The Black-Eyed Snakes and Retribution Gospel Choir. Alan was gracious enough to take time out of his schedule to be interviewed in this Linescratchers Exclusive, answering certain questions about being LDS in the music world for the first time.

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Gregg Hale

SPACE ROCK/EXPERIMENTAL/RECORDING

Gregg Hale has been treated well by the music industry, having a chance to play with the British band Spiritualized Spiritualized and go on tour. Instead of resting on his laurels and forgetting about everyone else, he’s decided to help give back to the music community. He can be seen judging music shows in Salt Lake City and recording promising new upcoming bands. He’s a valuable resource for many musicians in Salt Lake. PS – he’s nice. And approachable. You heard me.

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