Author Archives: Matt

Saturday Night, Sunday Morning…

Linescratchers-Friendly Album Compilation Project Announced

Driftwood Tide Music has recently announced intentions to produce a 2 album set of music written and/or performed by LDS artists. One album will focus exclusively on gospel themes, while the other album will focus on secular music.  Basically, the goal is to showcase LDS artists in two settings, which are being loosely described as “Saturday Night” and “Sunday Morning”.   Linescratcher artists may find the “Saturday Night” album to be a great fit, and a great opportunity to showcase their talents.

Many artists lack the funds to do a full album, or even an EP, and produce it at a professional level – thus preventing them from having a decent product to sell, and material to promote themselves with.  This compilation will hopefully help mitigate this problem, while  showcasing talent, and providing opportunities.  These opportunities include being introduced to new fans, networking with other artists, improving your professional image, having merchandise to sell, and more.

All writers and performers need not be LDS to participate.   A song written by an LDS artist but performed by a non-LDS artist is fine, and vice-versa.  Bands need not be all LDS, but should have a significant LDS presence in the band.  These situations will be looked at on a case-by-case basis to see if it makes sense.

Ideally, this album will be mostly upbeat and energetic, but a solid ballad could be a welcome addition.  Even though this is considered secular music, the lyrics, music, and performance should still be  LDS friendly.. In other words, no off-color lyrics or themes, and no music that would be considered dark or chaotic.   Style wise, a fairly broad and diverse sound is desired, while still managing to have some cohesiveness by presenting a marketable sound that the Teen to Thirties crowd could enjoy.  Popular music in many variations is encouraged – rock, electronic, folk, dance, indie, singer-songwriter, indie-flavored rock, and even modern pop-country are all ok, so long as they can at least loosely fit in with or be associated with popular music.   In selecting the songs, extremes will likely be avoided in order to create an enjoyable collection that can garner wide appeal, while still attempting to create a diverse collection of music that will expose listeners to new sounds and styles.

This is a pay-to-participate opportunity, meaning that the cost of the CD manufacturing will be split among the artists.  The exact fee is yet to be determined but will be reasonable – an amount that could be easily met by simply selling a small portion of the merchandise that the artist will receive.  Driftwood Tide Music will handle the mastering at no additional charge to the artists.  For their participation fee, artists will get a stack of CDs and Download cards that can be sold directly by the artist for any amount they desire, with the full proceeds going straight to their pockets.   Artists will also get online sales through iTunes, Amazon, CD Baby, Spotify, etc.  Proceeds from online album sales will be managed by Driftwood Tide Music and will be divided among the participants. Artists are responsible to provide a high quality recording of their song(s) for the album(s). These can be produced in a personal or commercial studio as the artist deems appropriate.

If you’ve been holding off on putting out a professional release, or if you just need something to keep your fans engaged in between full album projects, this is a great way to get a professional product to promote and sell, and most importantly, to help keep your fans engaged while opening doors to a whole new potential fan base.

Production does NOT need to be done through Driftwood Tide Music in order to be on the album.  In fact, they stand ready to provide referrals to other producers, studios, engineers, songwriters, etc, who can assist you with your project.  Additionally though, they are ready and willing to provide recording, mixing, producing, or other services as needed.  It doesn’t matter if you record your project at home or in a big studio, so long as the quality is at a high level. You are welcome to use an existing recording already (please just be sure to provide the UN-Mastered original mix so that it can be remastered).

Hopefully, this will be an appealing opportunity that can help expand awareness of Linescratchers artists, and provide opportunities to create new fans, and have a high quality product to sell.   We hope to get at least one independent artist who is more well known and established to participate in the album project, in order to help increase the exposure and distribution of the albums.

While the “secular” album from the set is a pretty obvious opportunity, please don’t discount the “spiritual” album as a non-opportunity, as the hope is that this album will be pushing the limits of the “typical” LDS spiritual album sound & style a little as well, and may still be a good outlet for some slightly non-traditional LDS spiritual music.

To be clear – this is not an official linescratchers sponsored project, even though we hope it will create opportunities for feature articles and music reviews on the site for those who participate, and more importantly – we hope it will help generate some great new music, and garner more attention for the site and for our collective efforts in showcasing some of the great LDS talent lurking in the shadows. All questions should be routed to Matt Mylroie / Driftwood Tide Music, either through the contact information on Linescratchers.com, or through the “contact” page at www.driftwoodtidemusic.com.

Matt Mylroie is a producer/engineer/musician/songwriter based in Florida, and a semi-regular contributor to linescratchers. 
LogoMontage2

 

Ready to Shake Things Up? Midas Whale!

safe_image.php

It usually takes years for a musician to become an “overnight sensation”. Such is the case with Ryan Hayes, also known as 1/2 of the epic and eclectic duo “Midas Whale”, who recently exploded on the music scene thanks to their strong performances and witty humor on the hit television show “The Voice”.

I sat down with Ryan to find out more about him, and what comes next for the folk duo.

Linescratchers first became aware of you when you were part of the brother-sister duo “Sunshine Brady and the Moonlight Lady“. Tell us a little bit about this project – how did it get started? Did you record or perform or both, and what was the music like?

RH: Sunshine Brady was my first performance project. I have always been a writer of music or musician of sorts, but to stand in front of people and play was an entirely foreign thing that I wanted to try out. I recruited my sister Becca because performing solo is very lame in my opinion. She has a way of making people comfortable and that made performing very easy. The music was fun and folky and we were a hit in Rexburg in no time at all. I think a lot of people were drawn to what we did because we refused to take ourselves seriously. We never recorded, though some live recordings do exist if you know who to ask.

Was that duo your first serious effort with music? If not – where did you really get your start with music?

RH: It was my first effort as a singer, but no. I played the trumpet since I was 11 and I had been writing music on the guitar since I was 14.

You mentioned you think playing solo is lame…

RH: I always work in groups. Like I said, I think solo artists are lame. For me, I get much more joy out of hearing one of my songs sung by another person than I could ever get from singing it myself. Deep Love is a prime example of this. It has grown into a family of 40+ people with many moving parts and I am content just being a part of the motion rather than the star.

How did “Midas Whale” get started, how long have you been together, and where do you see yourselves going?

RH: Jon convinced me to form a duo specifically for the show in August of 2012, so this is a brand new thing. Jon and I have collaborated for several years on producing a rock opera I co-wrote with Garrett Sherwood called Deep Love. We thought that going on national TV would help us to promote Deep Love, and even though it wasn’t talked about on the show we have certainly given Deep Love a sure future by doing this.   Midas Whale itself was an instant fan favorite on the show and our untimely departure was a shock to the nation. We are now entirely devoted to keeping Midas Whale a household name and actively increasing our reach. We are hard at work raising money for an album (via Kickstarter) and planning for a summer tour.

You have a sound that is very original, and yet completely classic at the same time. Tell us a little about what music and what artists have influenced you.

RH: My sound probably seems original because I don’t listen to much contemporary music. If you were to listen to music from the early to mid 1900′s you might hear something familiar to what I write. I am a big fan of the piano plunkers like Hoagy Carmichael and George Gershwin along with singers like Bing Crosby and Yves Montand. The writing and singing style of those days appeals to me for its melodic value and as a result can’t stomach much of the rhythm driven music of today.

How has being on “The Voice” this year impacted you personally and professionally?

RH: It has been very nice to see the degree of personal pride my friends, family and acquaintances all take from it. Many people I know personally who have had it rough this last year have found strength and pride in seeing me on TV. It’s weird how that happens, but I know I would feel the same way if I had seen some schoolmate of mine doing the same thing. If I can be the means of raising someone’s spirits then it’s all worth it. Professionally I would say that this season of the Voice has marked me as a musician. Before, I would have hesitated to call myself a musician. Firstly, I am a working geologist and secondly I don’t see myself professionally in the same rank as people who have striven all their lives to master an instrument. THOSE are true musicians in my opinion. The reality, however, is that I think more about music than any other thing, and being paid to do it makes me qualified for the title. I have started calling myself a musician, and it’s beginning to feel less weird.

What was your favorite experience/favorite part of being on “The Voice” ?

RH: I would say the most amazing part of it all is becoming familiar with and close to all of the singers on the show. I feel like many of them are my kindred spirits and I can’t even imagine not knowing them. I made relationships with people there that I will keep for the rest of my life. Initially I thought that they would all be the reality TV type that are competitive and arrogant, but what I found was quite the opposite. They are some of the kindest, most genuine and talented people I have ever met. I know that I’ll be working with many of them for years to come.

In my circles, people seemed pretty surprised and genuinely interested that a couple of young folkies were able to speak fluent Spanish with Shakira and that you had both lived in foreign countries.  Did this prove to be an opportunity to have conversations about the gospel, as part of your explanation of how/why you had these skills and experiences?

RH: Hardly. I don’t try to hide the fact that I am LDS, but I don’t try to advertise it either. When people would ask me how I learned Spanish I would simply say I lived in Ecuador, and that was usually enough for them. I am always excited to talk about the gospel but will only open up if I feel like the moment is right.

There were several LDS artists featured on “The Voice” this year…

RH: Yes, Ryan Innes and Amy Whitcomb were both on the show and I have grown rather close to both of them. Coincidentally we were all eliminated on the same week. I am so honored to have known both of them and we all plan to go on the road together this summer.

How has the public reacted to your music? Has the LDS Music community embraced you?

RH: I think the timing is perfect for our music. We are at the beginning of the new age of folk music, both nationally and internationally. Because of my lifelong love affair with the genre I feel somewhat like I do have something to contribute amid all of this. I feel right at home doing it. I think the LDS community in Rexburg stands very firmly behind us, but we’re working to win over Utah. We claim Rexburg because we met there, but the fact is we live and work in the Wasatch area.

I agree that the time is right for a new folk emergence – just look at the recent success of  groups like Mumford and Sons and others who have displayed clear folk influences in their music.  Even the commercially driven show American Idol produced a folk-flavored winner in 2012 with Philip Phillips. So – What is next for you?

RH: Kickstarter, then album/touring. We’re very hard at work to make sure this all happens.

Where can people find out more about you, buy your music, see your shows, etc etc etc?

RH: Follow us at https://www.facebook.com/MidasWhale and https://twitter.com/MidasWhale

and interact with us on our website http://www.midaswhale.com/

Midas Whale is in the last week of their Kickstarter fundraising campaign – if you enjoyed them and would like to support them, please act quickly to help make sure their album project becomes a reality.

Matt Mylroie is an independant music producer, audio engineer, songwriter, and musician from Tampa Florida and a semi-regular contributor to linescratchers.com.  You can connect with Matt via the contact info on linescratchers or at www.driftwoodtidemusic.com

The Ghost and the Guest: An Unexpected and Unlikely Album

Jake Workman The Ghost and the Guest is an interesting album that was recorded in a simple bedroom studio and was released last year by LDS artist Jake Workman. Loyal Linescratchers followers may recognize Jake from his days with the group “The Sweater Friends”. Prior to listening to this album, I had never heard any of his music, and knew little about him. So, it was with a completely fresh and unbiased perspective that I was able to sit down and listen to his music.

I reviewed the album in a digital download form and found that the download contained much more than just music. Graphics from the album are included, as is a scanned copy of a handwritten thank you note from Jake. Most interesting though was a large booklet, which was conveniently provided in a number of different e-reader formats. Right about here is where things started to get weird, interesting, or sentimental – depending on how you look at it. The included e-book comes in at over 40 pages. In the preface, we learn that the songs were inspired by the life of Henry Pickett Pratt, who was born in 1866, and left a journal about some of his early life – a journal which was read by Jake Workman. Something about this man and his experiences struck a chord (pun intended) with Jake, and provided the inspiration for the songs on the album. The e-book includes portions of the journal that provide a backdrop of sorts for the songs. Jake has intended for the journal and the music to be enjoyed simultaneously in order to get the full experience of what he intended to create and capture.

Continue Reading →

A Bigger Box

It’s been quite a while since I have posted, and its been quite a year so far. Do you remember my very first article? It was called “Excuses, Excuses” and can be found here: http://www.linescratchers.com/?p=1113 Well, I stopped making excuses and I’ve jumped into this crazy business full time.

It’s been an interesting year as I’ve started my business (2 businesses actually) and have worked with a number of artists and projects, both in and out of the LDS world. This year, my “flagship” project was (for the first time) something that was not just influenced by my beliefs and values, but that was openly promoting a religiously themed message. Working on it has been enlightening and educational as I have begun to better understand the “typical” LDS Market for music. This project was one that was close to my heart, as it was a personal project done with my teenage daughters. Together, we wrote and produced an album of fun, energetic, and uplifting music geared for young adults and teens, and based it on the values and principles promoted by the Young Women’s theme. This was their first serious project. The music has a great spirit about it, and a positive message. It’s well done, and we’ve received fantastic feedback overall on it. I am not shy about putting in a plug – you can check it out at www.ofpreciousvalue.com – but my point in this article is not just to promote this, I am trying to make a point, and looking for some feedback.

My point – we don’t fit in “the box”. Most of us on this website don’t quite fit in “the” box, and that’s why we are here. We don’t quite fit the stereotype of an “LDS Musician” and yet there are many in the world who are slow to accept us if they are aware we are LDS. Hence, the “linescratchers box”. Well, I’m not even sure my most recent LDS project (Of Precious Value) fits in the Linescratchers box…. it’s sort of in no mans land. With a blatent religious message and obvious religious target market, its on the fringe at best of what would fall under the classic definition of a Linescratchers musician. And, with music that is much more a blend of modern pop and guitar driven rock, delivered in a fresh and energetic way, it struggles to fit into the “traditional” LDS music box in spite of having a direct and blatent LDS message.

The music I’ve made may never make it into a “Sabbath Sounds” type of broadcast, and at the same time it’s probably not the right choice of albums to review and feature on Linescratchers. And you know what? I’m fine with that! I’m not here to try to fit into a pre-defined box, I’m here to help make a BIGGER BOX! I hope all of us share that same artistic drive and passion. The LDS market is a tough one to crack. If you don’t fit in or have the right connections, its even tougher. But we need to work together to make a bigger box. We need to support each other and work together to expand the box to include great music that is being overlooked. With going back into music full time, I am reminded how many AMAZING musicians there are who will really never be heard outside of their circle of friends and family.

How do we make more room for them? How do we make a bigger box? Shouldn’t the “LDS Music Box” include not only traditional and contemporary musicians but also include a lot of secular music that is just…well….Good? Free of profanity and questionable subject matter, music that simply celebrates and speaks of the ups and downs and experiences of life? Shouldn’t the “Linescratchers Box” include not only those who are LDS and make secular music, but also include those who are bold in challenging the status quo for LDS spiritual music ? (while staying appropriate of course!)

I am asking for your help making a bigger box. I have a lot of ideas running through my head. I know a lot of LDS youth and young adults and very few of them are listening to LDS music or LDS artists. Some LDS bands and artists are popping up thank goodness, but they are a drop in the bucket on the ipod playlists of our youth. Really?? Do we not have amazing talent among us, both for religious and secular music? How do we reach these people who are ripe to accept us if we can connect with them? One thing I’ve noticed is that the overwhelming majority of broadcasts of LDS music (real or online) are more “Sabbath Sounds” oriented. There are some that are broadcasting, podcasting, or streaming more contemporary music and even secular music, but I haven’t found many. Kudos to Steve Larson at LDS Music Today who has included a very diverse range of music in his regular podcasts. We need more of that.

With all this in mind – I’m asking for your input. What can we do? I’m considering a lot of things. One is I’m thinking of starting a 24/7 online radio station that will play a wide range of good music – LDS Music, Secular music, New Artists, Contemporary Christian Music, etc – with a focus on lesser known artists, interviews, themed shows (ideas: Best New Artists Hour, Linescratchers Royalty Hour, Genre specific shows, and more). I’d initially probably start with 1-2 daily shows and some rebroadcasts of those shows and then work up to having a full 24/7 schedule of good content. I’ve also considered doing an annual compilation CD of LDS artists that don’t fit inside the box (for example, did you know that there are some really amazing LDS artists doing country music? Whether you like the style or not – we need to hear more of this diversity within the LDS market!. There are many ideas I’m thinking of as I try to figure out how to help good musicians – LDS Spiritual, LDS Secular, and other just plain good artists – find a voice, and an audience.

Help me make a bigger box. We get a lot more done when we work together. i encourage you to leave your suggestions and feedback.

OPPORTUNITY ALERT: LDS Singers/Bands Needed

Calling all LDS musicians, singers, and bands – you are needed! Would you like to have one of your songs featured as a bonus track on an album that is expected to have significant sales?

I am producing an album project right now of pop/rock music that is targeted towards Christian teens, and LDS Young Women in particular. The album is in the pre-production stages currently, but recording in earnest is expected to begin early next month, with a single out in April and the full album out in May. The general theme of the album is to promote the values taught within the Young Women Program, but in a non-preachy, upbeat way.

We also would like to use this album project to help aid listeners in the discovery of new, exciting, and positive music – YOUR music! That’s right, we aren’t looking for slow, stuffy, or stereotypical “Sunday only” music, we are looking for strong songs that are fun, engaging, fresh sounding, and positive. They don’t need to have a Christian or LDS specific message, they simply need to avoid the pitfalls of worldly music and leave the listener engaged, inspired, or entertained with a positive, LDS youth friendly message.

I need your help. We have 3 to 4 slots available, and the planned album release will be here before you know it. If YOU or someone you know might be interested, please see the following link to see the general album concept, and also get full details on the inclusion of other artists.

This album is being written and produced with the assistance of LDS youth, and will feature vocal performances by LDS youth. The message will connect, and the music will be happening. We expect good distribution of the album as the word gets out and really feel this is an EXCELLENT opportunity for a new or lesser-known LDS artist to get some great exposure.

Click HERE for more information.

Please check it out and direct any questions to me through the kickstarter site or through my contact information on this page.

Thanks, and we look forward to helping promote your music as part of this project!

 

Matt is a music producer, engineer, and writer.  This album project will feature not only his work but the work of some youth, including his 2 daughters.

Blurring the Lines

Linescratchers is known as “the site for LDS musicians who don’t make LDS music” , but… with all due respect for that motto, perhaps a better motto should be “the site for LDS musicians who don’t make TYPICAL LDS music.”

Recently, our own fearless leader and visionary founder,  Arthur Hatton, proved this with his own album release of spiritually influenced music that certainly doesn’t sound anything like the “typical” LDS music.   He has blurred the lines.

My own recent album release, a pet project that was long overdue, also blurred the lines – not so much in a spiritual sense as Arthur did, and not by directly speaking or preaching of gospel doctrines, but with most lyrics clearly drawing on themes and values that are expressly taught and encouraged as part of LDS teachings, certainly my own project was “in the world but not of the world”.   In fact, I’m working on a new project now that will push this concept more than I have ever done before, but that is a story for another day.

As Linescratchers has recently moved into a new chapter of leadership and direction, I have reflected on the meaning and value of the site as we move forward, and frankly, I think that the blurring of lines is a good thing.  How does one define when music is or is not “church related” music?  While I certainly create categories in my mind, it is ultimately impossible for me to completely separate “church” and “secular” music in my own original works. Why? Because as a believer and a follower, it is impossible for my belief system to not impact my creative works.

My understanding is that this site was created somewhat out of frustration that it seemed that anyone who claimed to be both LDS and a musician was instantly stereotyped into a very narrow box. There has been for some the perception that being LDS and living/working/creating outside of that box would lead to being ostracized.  In all fairness, neither of these perceptions translate 100% into reality across the board, but as an LDS musician, I certainly have seen and experienced this to some degree at some time or another.  The linescratchers mission has been to help bring awareness to LDS musicians who don’t fit that box, but whose work is still a worthy art.

So, has the linescratchers mission been watered down, become outdated, or forgotten?  I say absolutely not!  I think it is great to see more acceptance of LDS musicians making music that contains spiritual themes, but doesn’t quite fit the perception of what LDS music is “supposed” to sound like.  I think that it is great to see the blurring of the lines – remember, we aren’t talking about blurring the lines between right and wrong or good and evil. We are talking about blurring the lines between what is considered secular music and what is considered church music. If we are diluting the church message with secular music – that is the equivalent perhaps of mingling the philosophies of men with scripture, and is not a good thing.  But if we are enhancing secular music to include more spiritual and value driven content, that is a wonderful thing indeed. And, if we are tastefully expanding the available options of styles of spiritual music, that is also a wonderful thing.  We are taking a good thing, and making it better by expanding it.

God gave us talents, and he intends for us to use them.  I challenge LDS musicians to not be afraid to blur the lines in the right way.  Don’t be afraid to wear your faith like a badge of honor, and let little messages, spiritual moments, and a strong value system creep into your “secular” music.  Music that is raw, real, and honest connects better with listeners anyway, and little in life is more personal, and real than someones deeply held beliefs.

I will continue to make music that is not intended to be spiritual or church oriented but upon close examination, it will be hard to overlook the beliefs and the lifestyle that influence who I am and how I create.  Yes, blurring the lines is a good thing. I am both a secular AND and religious artist – I’m proud of it, and in doing so I will help to continue to fulfill the mission of linescratchers in my own little way.

 

Matt Mylroie is now a full time music professional, operating under the name of Driftwood Tide Music. You can learn more at www.driftwoodtidemusic.com

 

 

 

Interview – Tristyn Elizabeth, a rising star in Austin

Deep in the heart of Texas is a town known for live music, cowboys, and the blues.  When I think of Austin, Texas, I really don’t think of pop music… until now.  Allow me to introduce you to Tristyn Elizabeth.  After a couple of years of paying her dues as a singer-songwriter at many of the open mic events in Austin, she has emerged from the studio with her first real studio effort, an EP entitled Kiss Me in the Rain.  Like a butterfly emerging from a cocoon, she has used her time in the studio to transform herself from a singer-songwriter into a more polished pop artist, without abandoning her roots.  I actually know Tristyn, after being in her ward for a couple of years in Georgia.  I recently connected with 21-year-old Tristyn to hear her story about her development as an artist.

 

How did you get started in music?

My dad is a songwriter/producer type as well and he’d always be writing or playing or talking music all the time. That was a huge influence all my life. I remember when Britney Spears and N’sync and Backstreet boys were  huge, I’d blast it in the living room and sing and dance to it with my siblings and imagine growing up to be a singer. I started writing sometime in high school. It started when I would listen to songs on the radio and it didn’t fit how I felt. There wasn’t a song I could sing from my soul I guess, I was in high school and I was dramatic. So I started writing music on my guitar.  All the songs I wrote were kinda bad and embarrassing. Over time they got better with re-writes and new life experiences. I wrote better ones when I went off to college. Also, when I was in high school  my dad would need vocals for various projects and songs and I’d record on those. That’s basically where it started. Continue Reading →

An Interview With Myself – Matt Mylroie

Matt MylroieUpon hearing rumors that I had been working hard to wrap up an album project for December release, I decided to sit down with myself for an interview. Here are all the facts for our loyal Linescratchers readers.

 

Does your album project have a general theme?

To me, these are guitar-driven songs about life. They are real, they are raw, and they are relevant.  That’s pretty much the theme of the project.

Continue Reading →

The Aquabats – “Hi-Five Soup” Review

For a few weeks now, I’ve been listening to the latest effort from the Aquabats, and contemplating my critique. Having done a number of reviews and critiques over the years, this one has been the hardest, because it is such a unique project.    I have heard of the Aquabats but had never heard their music until now. So, rather than review this by comparing and contrasting it with past works, I am simply going to focus on this particular body of work.

So, to point out the obvious… this is not your “typical” band.  With their spandex “rash guard” super hero shirts and their anti-negativity helmets, they not only deliver everything you would want from a world famous rock band, but they also travel the planet in their highly customized Winnebego fighting crime, including notorious bad guys like  Gasface and  Kitty Litter.

Or at least that’s what I hear.

So, on to the music… It’s juvenile, cheesier than cheetos in nacho sauce, completely over-the-top, borderline ridiculous, and… FUN!     It’s actually refreshing to have something on my iPod that is fun, light-hearted, energetic, and full of satire. Continue Reading →

Bill Dent – Guitarist and Collaborator

Need a guitarist or songwriting collaborator?

You may not have ever heard of Bill Dent, but if you’ve worked with him, you’ll never forget him.  Bill is truly one of the more talented people I’ve ever had the chance to work with.   I’ve been around a lot of amazing guitarists, and can attest that not only is he a great guitarist, he is a great musician – something many guitarists sadly lack.  He has such a great sensibility about his playing, covering a wide range of styles with ease.  He doesn’t settle for “what everyone else is doing”, and isn’t afraid to boldly try new things and push the envelope.  When many artists do that, they often end up getting critical acclaim at the expense of offending the masses, but in Bill’s case – he always seems to find just the right balance for each song and project.   As a result of this, Bill is an exceptional collaborator – bringing out the best in any song he touches, and any artist he works with.    He makes an ordinary chord progression become extraordinary, and a mundane melody become memorable. Continue Reading →

Brianna Nicole

With her strong & soulful voice, Brianna Nicole is making a splash both in and out of the LDS music scene.   She was involved with the 2010 EFY CD, is featured on an upcoming album from Young Sim, and is also working on a solo album project being produced by Young Sim.  I took a few minutes to get to know this talented young singer/songwriter.

Continue Reading →

Arson Car – Vestiges EP review

Just before Thanksgiving, I had the opportunity to listen to the Vestiges EP from Arson Car.  In the madness around the holidays, it should have been easy to just forget this completely… but I didn’t.   There is something both catchy and calming about their music, and it stuck in my head.

Vestiges is not your typical gigging band.  They are comprised of 4 members, 3 “thirty-somethings” and a “twenty-something”.    They haven’t played live in 7 years and they have a fragmented existence as a band due to the challenges of balancing families, jobs, and school with their music.  The Vestiges EP was a project 5 years in the making, with tracking starting in 2004 and being finished in 2009.  Continue Reading →

Music Production and Sound Quality: Electric Guitars!

The thought of trying to condense some thoughts on getting the best possible guitar tracks into a single blog entry seemed almost overwhelming! So, I’m covering a few highlights on electric guitars in this installment and will hit on acoustics later. As with past articles, I’ll assume that many of the people reading this are involved in the recording and production of their own albums, and additionally, I’ll assume that there are non-guitarists and beginners reading, so I’ll build this from a  basic starting point. Continue Reading →

David Archuleta – The Other Side of Down review

The Other Side of Down is the latest offering from LDS singer and American Idol alumni, David Archuleta.  Being LDS, a musician, engineer, and producer may qualify me to critique this album, but my greatest qualification might actually be that I am the father of 3 young girls who fit a significant demographic portion of his fan base.  Also,  I’ve had the wonderful opportunity to hear David sing live, in a very “up close and personal”, accapella performance  – so I’ve seen his talent in its most raw and simple form, and was eager to compare that to the production of his newest album.

David’s producers have tried to squeeze him into a radio-friendly, tween-compatible, pop format.   For the most part, they’ve succeeded, but stylistically this album feels just a bit “forced” at times.  Sure, it fits the format in many ways – catchy melodies, electronic beats, loads of synth sounds, lots of layering and production quality, and of course the terribly over-used “telephone” sounding effect on vocal delays and overdubs.   But there are noticable differences between this album and many of the cookie-cutter masses. Continue Reading →

Music Production and Sound Quality: Keys!

Hello again!  Continuing in my series highlighting some key points and tips in getting a great production, we continue this time with a quick look at keyboards.   I’m sure there are many of us who find a great patch on the keyboard, run the outputs directly into our DAW, and call it a day. But, with just a little more attention, you can take “stock”  synths and samples, add your own flavor to them, and then kick ‘em up a notch! Continue Reading →